Canadian Women’s

Crime Fiction

My book project looks at mystery, suspense, and police procedural novels from L.R. Wright’s The Suspect to the present. I consider how authors ranging from Margaret Atwood and Alice Munro to Gail Bowen, Ausma Zehanat Khan, and Louise Penny use crime fiction to explore issues of gender, power, sexuality, and place.

History and Context

Canada has been a sovereign nation since 1867’s Confederation of the four original provinces. It is made up of ten provinces and three territories. We share the world’s longest undefended border with the United States, our long-time and valued ally. This relationship is under threat.

What is now Canada was established first as French and British colonies on the territories of Indigenous nations who, from coast to coast to coast, have lived on and used these lands since time immemorial. As many of the treaties of mutual respect and reciprocity promise, “as long as the grass grows green and the rivers run” the treaties will be upheld and the lands will be shared. We are all treaty people. The treaties have frequently been betrayed, but contemporary reconciliation processes and the legislative adoption of UNDRIP help offer a way forward.

All content is composed by Heidi Tiedemann Darroch, who holds a Creative Commons license for the material. It is expressly forbidden for the content to be used for generative AI purposes.

Copyeditor and designer: Liz Darroch

  • Agatha Christie’s Poirot: Elephants Can Remember

    Publicity still from Elephants Can Remember, season 13 of Agatha Christie’s Poirot. David Suchet as Poirot; Zoë Wanamaker as crime writer Ariadne Oliver. “Elephants can remember, but we are human beings and mercifully human beings can forget.” Agatha Christie, Elephants Can Remember I complained some months back that Agatha Christie’s Elephants Can Remember was unreadable.…

  • Bringing True Crime to the Stage: Marquita Lynn Walsh’s She Is Here

    Publicity poster for She Is Here by Marquita Lynn Walsh. Livestream tickets available for the April 25 performance. During the first two years of COVID, theatre companies across Canada provided innovative live-streamed productions, and it was a joy to be be able to watch a range of works from the comfort of home. Once the…

  • Mountain Thrillers and “Alpine Divorces”

    Cover image of Elinor M. Brent-Dyer’s The Mystery at the Chalet School, 1947. I’m working on a piece about crime fiction set in Canadian mountainous regions (mostly the Rockies), and that has me dipping into Alpine crime fiction from other nations, for comparison. But let’s start with the new-to-me phrase “alpine divorce.” This is not…

Crime in a Cold Climate

Canadian crime fiction is an exciting national literature with substantial variations from its British, French, and American precursors. Like “Nordic Noir”, the term for suspense and thriller novels set in Scandinavia, Canadian mystery fiction has a strong sense of place.

Some other notable features: a complicated relationship to policing, including the RCMP (even in police procedurals); limited personal gun ownership (even by private investigators); extensive use of the genre to explore violence against women and feminist themes; prominent but frequently stereotyped Indigenous characters; liberal attitudes towards social issues, including gender equality, multiculturalism, and immigration.

History

Although Canada is a comparatively young country, with the 1867 Confederation having brought together only 4 of the current 10 provinces, its Indigenous roots date back more than 10 000 years.

Geography

Canadian crime fiction reflects the vastness of Canada–from sea to sea to sea. From east to west: Helen Escott, Natalie Carter-Giles, and Shelly Kawaja (NL); Anne Emery (NS); Louise Penny, Chrystine Brouillet, and Johanne Seymour (Quebec); Alison Gordon, Rosemary Aubert, and Maureen Jennings (Ontario); Gail Bowen (Saskatchewan). And so on.

Gender

Women dominate Canadian crime fiction, notwithstanding the significant achievements of prolific writers like Howard Engel, Giles Blunt, and the late and much-lamented Peter Robinson.

The books

From L.R. Wright’s Edgar-winning The Suspect to Louise Penny’s 2024 The Wolf, Canadian women’s crime fiction is extraordinarily diverse.

The writers

I’ll be adding short bio-bibliographic notes about the authors as I work my way from the west coast of British Columbia to Newfoundland, and up to the Arctic.

About me

I’m a college and university instructor and writer in Victoria, BC, an uninvited guest on the territories of the Lək̓ʷəŋən-speaking peoples, known today as the Songhees and Kosapsum Nations.