Tag: writing
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Newspaper Coverage of Crime Fiction
I’ve been grumpy for some time about how diminished the Globe & Mail‘s book coverage has been, lo these many years. I miss having a Books section, with a weekly column on crime fiction by Margaret Cannon. (Dream job!) That’s down to once a month or less, and it’s more of a quick round-up. But…
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Solving Plot Problems
Most of my focus has been on revising a novel draft that I’ve despaired of, these past two years, since I completed my 75,000 or so words. [Worse than feared: 104,665, which is, for my chosen genre, a baggy monster of a book, and unpublishable as a first novel.] I could see the plot and…
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In Praise of Editors
I’ve just completed comments/corrections in response to the best copyediting of my academic work that I’ve ever experienced (for a forthcoming MLA volume on teaching Margaret Atwood). It was a marked contrast to some past mediocre experiences, and one real disaster, when an entire book manuscript, including my chapter, was outsourced to a non-English-speaking country…
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Ghost Writers: Generative AI, Intellectual Property, and the Trope of the Hidden Author
Grading concerns are converging with literary critical ones this weekend as I type less-than-patient messages to class members who wrote an analysis of an autobiographical sketch in which they misrepresent the topic, themes, events, and personages. Thanks, ChatGPT, for that hallucination. Very much appreciated. But intriguingly (one finds the silver lining), mystery fiction is also…
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“Don’t Exhaust Yourself” (from Sisters in Crime)
The full quotation from this morning’s email from my favourite organization is “Challenge yourself; don’t exhaust yourself.” I’m doing a “January Jumpstart,” which is a kind of crime-writing marathon training of daily writing practice. My relationship with my writing gets tetchy if I don’t write five or six days a week, and it’s much like…
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The Idea of a Female Literary Tradition: Unfashionable in 2025?
The premise of my book project is that there is something distinctive about the way that Canadian women writers craft crime fiction, even though they do so in contrasting genres of the cozy (domestic setting; food and friends; no gore), the thriller (domestic or public setting; more enemies than friends; potential gore), and the police…
